Mimi Stadler Pottery
This is where you will find a post from a fellow Potters'Guild pf NJ that includes a few of the family. I'm feeling really good about Ms. Stadler including me in the company of 4 other potters for whom I hold a great of deal of respect..... OK - it's probably envy. All the more reason to feel pretty darn good about being there!
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To inquire into adopting one of the family contact me at sunottin@gmail.com
sunottin@gmail.com
A gallery of face jugs, or ugly jugs, made by Su Nottingham. Ice House Pottery, New Jersey
To inquire into adopting one of the family contact me at sunottin@gmail.com
Face Jugs, Ugly Jugs, FUN JUGS!
Most simply put, “Face Jugs” are vessels decorated with faces. Their long history gives insight into our culture and people overcoming the influences set against them.
The Face Jugs in America likely had their start with slaves in the South, perhaps influenced by the ancestry worship in Voodoo from the Caribbean. The slaves adopted them to mark graves; by law the slaves could erect no grave markers, nor were they permitted to read and write, but they could make these jugs after their work hours in the potteries. And the jugs could defy masters as slaves weren’t able; for example, many of the jugs depicted smoking faces, although slaves were denied the habit. As the Christian influence grew, the face jugs grew more ferocious to fend off the devil so their relatives could get to Heaven unchallenged. A broken face jug was an indication that the dearly departed was in battle with the devil over their soul.
North Carolina farmers used pottery to augment their income. When they became bored, they adopted the slave art of face jugs as a release; the potter showed off to a boss, customer or other potters. The fiercer the better: the hooch jugs decorated most often needed to be unique (and scary!) to keep youngsters from getting into the alcohol. After the civil war, tin and glass came into widespread use; the need for pottery declined, affecting the farmer/potter’s income. When Prohibition came and the potters realized that they needed the bootleggers’ payment for their wares, it was explained that as a person became more inebriated, the faces became scarier and uglier, thereby influencing many to stop their drinking. The temperance movement could hardly complain and face jugs once again defied pressure from a dominant force.
Face jug characters glimpse our character; what amuses or is curious about the people and events around us. Each of these jugs comes alive with all their foibles and oddities. And they have that most important feature when we choose those we love: they make us think, but also smile or giggle or laugh. And a little of that each day makes life worth living.
The Face Jugs in America likely had their start with slaves in the South, perhaps influenced by the ancestry worship in Voodoo from the Caribbean. The slaves adopted them to mark graves; by law the slaves could erect no grave markers, nor were they permitted to read and write, but they could make these jugs after their work hours in the potteries. And the jugs could defy masters as slaves weren’t able; for example, many of the jugs depicted smoking faces, although slaves were denied the habit. As the Christian influence grew, the face jugs grew more ferocious to fend off the devil so their relatives could get to Heaven unchallenged. A broken face jug was an indication that the dearly departed was in battle with the devil over their soul.
North Carolina farmers used pottery to augment their income. When they became bored, they adopted the slave art of face jugs as a release; the potter showed off to a boss, customer or other potters. The fiercer the better: the hooch jugs decorated most often needed to be unique (and scary!) to keep youngsters from getting into the alcohol. After the civil war, tin and glass came into widespread use; the need for pottery declined, affecting the farmer/potter’s income. When Prohibition came and the potters realized that they needed the bootleggers’ payment for their wares, it was explained that as a person became more inebriated, the faces became scarier and uglier, thereby influencing many to stop their drinking. The temperance movement could hardly complain and face jugs once again defied pressure from a dominant force.
Face jug characters glimpse our character; what amuses or is curious about the people and events around us. Each of these jugs comes alive with all their foibles and oddities. And they have that most important feature when we choose those we love: they make us think, but also smile or giggle or laugh. And a little of that each day makes life worth living.
Contact me for Purchase Information
sunottin@gmail.com
Want to see how these are made?
Series B
Series A
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